Platige Image is a close friend of Escape The Level, we are massive fans of the work that the talented team put out and as such continue our coverage of that with a Cyberpunk 2077 Teaser Trailer created for the upcoming title Cyberpunk 2077, based on the classic Cyberpunk RPG by Mike Pondsmith of the 90’s.
Join us as we take a look behind the scenes of the cinematic of CD Projekt RED’s upcoming game.
CG Supervisor / Animation Director: Maciej Jackiewicz
Executive Producers: Marcin Kobylecki, Jarosław Sawko, Piotr Sikora
Producer: Marta Staniszewska
Additional Concept Artists: Jakub Bogaczyński, Adam Trędowski, Rafał Wojtunik
Usually, working on video game cutscenes involves creating a visual story in an already established world: the animation process is very orderly, divided into classic stages, and predictable. This time around, it was markedly different.
The first drafts of the screenplay and preliminary concept art was created when the game was still in initial stages of core development. In the course of our collaboration with CD Projekt RED, we approached dozens of ideas before settling on a seemingly freeze-framed setting that referenced one of the illustrations from the original game manual.
Parallel to the teaser, the developer fleshed out the game itself: its concept, style, look, and feel. The ideas introduced into the movie influenced game development, while the latter simultaneously modified the teaser. This made the film a logistical and organizational challenge but it also imbued it with much more spontaneity and creativity.
IR’s 72×18 Megapixel Camera system captures around 1.27 gigapixels of color data from 360 degrees, being a volumetric-based reconstruction method means it’s a ‘single shot’ capture process. Just like a regular photographic session.
We stylized the newscast to look like old time TV on purpose, on the assumption that our imagined viewer likes old school styling, so that’s how the channel ‘tuned into him or her.’ It looks a lot like the non-stop, twenty-four-hour news channels we have today. We could have put a lot more information on screen, or even increased the number of screens, but we decided on a look similar to old (i.e. present-day) television because we think channels like that (CNN or FOX News) will stick around for a while.